Sweden, the land of buxom cinematically sinning blondes, art film hysteria and the occasional low budget horror releases a blast of pure slasher exploitation unseen since the tax shelter video releases of the 1980’s with Martin Munthe’s Camp Slaughter. At times twitchy and strange, while still managing to fall in line with every single cliché in the stalk n’ kill films it so obviously enjoys, this is one odd bunny of a movie.
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